Scintilla's Guide - Additional information.If true, it will show an edge mask useful for adjusting depth, blurlevel.ĪWarpSharp(depth=16.0, blurlevel=2, thresh=0.5, cm=3, bm=2, show=false) This wiki documentation has been revised and it's correct. Note: Default in the included documentation is wrong. 2 : enables chroma independent warping & bump map.1 : enables chroma warping with luma bump map (recommended).If you tweak this setting, keep in mind it will enhance inequality of warping between edges. Our team of implementation consultants and developers deliver transformational business solutions using Microsoft Dynamics 365. Were an agile team of proven experts and trusted advisors partnering with clients across a variety of industries, including audit, risk, healthcare and insurance. The default value (0.5) is recommended for maximum quality. Warp is more than just a software company. If you find that the warping is distorting certain shapes too much, try lowering this parameter first. Higher blurlevel values are slower, but can give a big boost to the warp sharpening. It directly affects how thin your lines will end up. Syntax and Parameters aWarpSharp ( clip, float "depth", int "blurlevel", float "thresh", int "cm", int "bm", bool "show")ĭepth determines the amount of warping. Using BorderMirror to pad the input before using aWarpSharp.Note: aWarpsharp is considered deprecated, aWarpSharp2 is highly recommended as a drop-in replacement.ĪWarpSharp is known to cause some color artifacts around the edges, read the following threads for more information. The code is fully ISSE optimized with high accuracy. "original" meaning the algorithm used differs on several points to other warp sharpening filters. aWarpSharp implements high-quality original warp sharpening. And that gives a freedom: everything is possible and there are no limits to what you can achieve.A warp sharpening filter. It is clearly created for the best possible performance on high-end projects. “I love that the system is built for professionals.
And Baselight also gives me the ability to manage colour workflows so specifically, which makes it easier to work seamlessly alongside VFX.”
“I love the fact that there are so many ways to achieve a look. They don’t abandon their clients once the system has been bought. “FilmLight is probably one of the companies that follow and help their clients the most, and they have a very important support system. Naotaka Takahashi, L’espace Vision, Tokyo And FilmLight gives us more help to maximise the system than other vendors, especially with technical tutorial videos.” “With Baselight, you can create the exact creative expression that you imagine. I really like its colour management and its very, very stable performance.”Īljoscha Hoffmann, CinePostproduction, Munich
“I’ve been working on Baselight for nearly ten years now and it is definitely my favourite grading tool.
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